This new style of music was nurtured by two of the country’s great musical incubators, the Police Orchestra and Emperor Haile Selassie’s Imperial Bodyguard Band: these ensembles, like all music ensembles in Ethiopia at the time, were controlled by the government. These ‘adadis zefanotch’, or ‘new songs’, were distinctly modern- in their instrumentation, arrangements, and groove-and uniquely Ethiopian, in their melodies and ‘feeling’. Influenced by the musical wisdom and instruction of Nerses Nalbandian (a composer, arranger, chorus leader, and music teacher of Armenian origin, who worked with hundreds of Ethiopian musicians), and the R&B, Soul, Rock and Pop hits broadcast by the American military radio at Kagnew Station (an American military base outside Asmara, the capital of Eritrea), and played in the nightclubs and discotheques of Addis Ababa, a young generation of Ethiopian musicians, throughout the 1960s, created, to again quote Francis Falceto, a ‘societal revolution’ through music. These stirring recordings from the 1970s were the fruit of a decade of musical innovation.
#ETHIOPIAN OLD MUSIC SERIES#
Over the last ten years, thanks largely to the herculean efforts of French researcher Francis Falceto (he’s the man behind the Ethiopiques CD series released by Buda Musique: each of the twenty-three volumes so far released are essential listening), curious music lovers have discovered the glories of 1970s ‘Ethiopian Groove’, a potent brew of traditional rhythms, brilliant arrangements, swinging horns and soulful vocals.